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nearlyvintage:

Nicolas Cage
77 ♥ / 1 day ago
Mel Brooks, Alfred Hitchcock (who he used to call “Al”!) and Anne Bancroft 
(via MEL BROOKS: EXCLUSIVE CINEMA RETRO INTERVIEW - Celebrating Films of the 1960s & 1970s)
5 ♥ / 3 days ago
todf:

vampdreaminginhollywood:

Musidora as Irma Vep in Louis Feuillade’s Les Vampires (1915-1916)

I’ve been watching the blu-ray of this in chunks, it’s wonderful.
64 ♥ / 3 days ago
kazzzanian:

EDEN AND AFTER (1970)
ALAIN ROBBE-GRILLET 
15 ♥ / 4 days ago
fuckyeahbehindthescenes:

There were 52 separate shooting units working at almost any given time during the production. If everything went well they would get two minutes of footage in two weeks.
Paranorman (2012)
1035 ♥ / 4 days ago
Battle Royale
1114 ♥ / 6 days ago
nickdrake:

ET The Extra Terrestrial.
118 ♥ / 1 week ago
orphan-grinder:

Bogie, 1930s
16 ♥ / 1 week ago
235 ♥ / 1 week ago

Drama is life with the dull bits cut out

— Alfred Hitchcock
0 ♥ / 2 weeks ago


House (1986)
2 ♥ / 2 weeks ago
superseventies:

Marlon Brando in makeup for ‘The Godfather’, 1972.
209 ♥ / 2 weeks ago
kallieburgers:

Boogie Nights
163 ♥ / 2 weeks ago
cinephilearchive:

Ernst LubitschJanuary 28, 1892 – November 30, 1947
“I still remember the day of the funeral. After the ceremony, William Wyler and I walked silently to our cars. Finally I said, just to say something to break the silence, ‘No more Lubitsch.’ To which Wyler replied, ‘Worse than that—no more Lubitsch films.’ How right we were. For twenty years since then we all tried to find the secret of the ‘Lubitsch touch.’ Nothing doing. Oh, if we were lucky, we sometimes managed a few feet of film here and there in our work that momentarily sparkled like Lubitsch. Like Lubitsch, not real Lubitsch. His art is lost. That most elegant of screen magicians took his secret with him.” — Billy Wilder
361 ♥ / 2 weeks ago
The Silence of the Lambs
57 ♥ / 2 weeks ago
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