Vertigo Effect

nearlyvintage:

Nicolas Cage

77 ♥ / 1 day ago

Mel Brooks, Alfred Hitchcock (who he used to call “Al”!) and Anne Bancroft
(via MEL BROOKS: EXCLUSIVE CINEMA RETRO INTERVIEW - Celebrating Films of the 1960s & 1970s)

5 ♥ / 3 days ago

todf:

vampdreaminginhollywood:

Musidora as Irma Vep in Louis Feuillade’s Les Vampires (1915-1916)

I’ve been watching the blu-ray of this in chunks, it’s wonderful.

64 ♥ / 3 days ago

kazzzanian:

EDEN AND AFTER (1970)
ALAIN ROBBE-GRILLET

15 ♥ / 4 days ago

fuckyeahbehindthescenes:

There were 52 separate shooting units working at almost any given time during the production. If everything went well they would get two minutes of footage in two weeks.
Paranorman (2012)

1035 ♥ / 4 days ago

Battle Royale

1114 ♥ / 6 days ago

nickdrake:

ET The Extra Terrestrial.

118 ♥ / 1 week ago

orphan-grinder:

Bogie, 1930s

16 ♥ / 1 week ago

235 ♥ / 1 week ago

Drama is life with the dull bits cut out

— Alfred Hitchcock

0 ♥ / 2 weeks ago

House (1986)

2 ♥ / 2 weeks ago

superseventies:

Marlon Brando in makeup for ‘The Godfather’, 1972.

209 ♥ / 2 weeks ago

kallieburgers:

Boogie Nights

163 ♥ / 2 weeks ago

cinephilearchive:

Ernst LubitschJanuary 28, 1892 – November 30, 1947
“I still remember the day of the funeral. After the ceremony, William Wyler and I walked silently to our cars. Finally I said, just to say something to break the silence, ‘No more Lubitsch.’ To which Wyler replied, ‘Worse than that—no more Lubitsch films.’ How right we were. For twenty years since then we all tried to find the secret of the ‘Lubitsch touch.’ Nothing doing. Oh, if we were lucky, we sometimes managed a few feet of film here and there in our work that momentarily sparkled like Lubitsch. Like Lubitsch, not real Lubitsch. His art is lost. That most elegant of screen magicians took his secret with him.” — Billy Wilder

361 ♥ / 2 weeks ago

The Silence of the Lambs

57 ♥ / 2 weeks ago

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